No I just read a lot. Reading Tale of two cities at present (when I have a chance to read).
I love the dynamic between the style and content. The style is sophisticated, matter of fact, elegant, and almost completely inappropriate for the content, which is dirty smelly crowded criminal filled London.
The passage you posted I don't mind at all; he introduces the character and I quite enjoyed the sequence where this baby has buggereised around working out whether he even has any interest in breathing or not chooses to come into life. It's a tense situation, but I love the matter of fact way it's described.
Also, if i remember rightly, I think Perfume by Patrick Suskind may have subverted this very opening sequence, with the child of that book instead choosing to live out of spite alone. But I haven't read it for a while.