Author Topic: Loose Time in Fat City, part 4  (Read 5786 times)

Doktor Howl

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Re: Loose Time in Fat City, part 4
« Reply #15 on: March 03, 2012, 05:35:12 pm »
"One of the most interesting things about loose time is that, while it gives you a good look at the past, it can also give you a few insights about the future."

Why?

Shall I just repost the entire piece for you special, or just tell you to read more than the first sentence?
Quote
"Here is the story," Trump began. "I don't want to have them make a big chart. Costs too much and I am a business guy. I asked how much it costs to make a big chart. Like it matters but it matters to me, does that make sense? Two maps identical. Except the one on top was Syria. See that? The one on top was Syria in November of 2016," Trump said. "This is all ISIS. On the bottom, today, the caliphate is gone as of tonight. Pretty good. That is pretty good, right?"

Mesozoic Mister Nigel

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Re: Loose Time in Fat City, part 4
« Reply #16 on: March 03, 2012, 08:33:51 pm »
This is a fucking brilliant piece... I missed it last year.
“I’m guessing it was January 2007, a meeting in Bethesda, we got a bag of bees and just started smashing them on the desk,” Charles Wick said. “It was very complicated.”


Tiddleywomp Cockletit

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Re: Loose Time in Fat City, part 4
« Reply #17 on: March 20, 2012, 08:18:03 pm »
Crushingly accurate analysis, if the public's education of marketing/memetics remains at a constant (which I am unreasonably optimistic it won't).

Also:
Quote
Jerry Pournelle insists that peace is a fallacy that we develop because there are sometimes interludes between wars.

Damn.   :x

Education won't help, because advertisers have gotten smarter.  Previously, they shoved the images into your face blatantly (bikini-clad hotties draped over cars, etc).  Now they try to get you to mostly tune out the commercial, and let repetition do its job.  You don't even really listen, so you don't analyze.  You just, over time, begin to associate "Bluebell Ice Cream" with simpler, less-stressful times.  This forms an emotional - rather than an intellectual - bond between you and the product.

If the ads or packaging features fields, sunshine, trees, kids jumping into swimming holes and/or drinking lemonade with grandpa while sitting on haybales, front porches, rocking chairs, contented animals, smiling animals, hand-stitched quilts, horse-drawn carts, or guys in overalls, it usually came from either a lab or a feedlot.
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