The river's tent is broken: the last fingers of leaf
 Clutch and sink into the wet bank. The wind
 Crosses the brown land, unheard. The nymphs are departed.
 Sweet Thames, run softly, till I end my song.
 The river bears no empty bottles, sandwich papers,
 Silk handkerchiefs, cardboard boxes, cigarette ends
 Or other testimony of summer nights. The nymphs are departed.
 And their friends, the loitering heirs of city directors;
 Departed, have left no addresses. 
By the waters of Leman I sat down and wept . . .
 Sweet Thames, run softly till I end my song,
 Sweet Thames, run softly, for I speak not loud or long.
 But at my back in a cold blast I hear
 The rattle of the bones, and chuckle spread from ear to ear.
 A rat crept softly through the vegetation
 Dragging its slimy belly on the bank
 While I was fishing in the dull canal
 On a winter evening round behind the gashouse
 Musing upon the king my brother's wreck
 And on the king my father's death before him.
 White bodies naked on the low damp ground
 And bones cast in a little low dry garret,
 Rattled by the rat's foot only, year to year.
 But at my back from time to time I hear
 The sound of horns and motors, which shall bring
 Sweeney to Mrs. Porter in the spring.
 O the moon shone bright on Mrs. Porter
 And on her daughter
 They wash their feet in soda water
 Et O ces voix d'enfants, chantant dans la coupole! 
Twit twit twit
 Jug jug jug jug jug jug
 So rudely forc'd.
 Tereu 
Unreal City
 Under the brown fog of a winter noon
 Mr. Eugenides, the Smyrna merchant
 Unshaven, with a pocket full of currants
 C.i.f. London: documents at sight,
 Asked me in demotic French
 To luncheon at the Cannon Street Hotel
 Followed by a weekend at the Metropole. 
At the violet hour, when the eyes and back
 Turn upward from the desk, when the human engine waits
 Like a taxi throbbing waiting,
 I Tiresias, though blind, throbbing between two lives,
 Old man with wrinkled female breasts, can see
 At the violet hour, the evening hour that strives
 Homeward, and brings the sailor home from sea,
 The typist home at teatime, clears her breakfast, lights
 Her stove, and lays out food in tins.
 Out of the window perilously spread
 Her drying combinations touched by the sun's last rays,
 On the divan are piled (at night her bed)
 Stockings, slippers, camisoles, and stays.
 I Tiresias, old man with wrinkled dugs
 Perceived the scene, and foretold the rest--
 I too awaited the expected guest. 
 He, the young man carbuncular, arrives,
 A small house agent's clerk, with one bold stare,
 One of the low on whom assurance sits
 As a silk hat on a Bradford millionaire.
 The time is now propitious, as he guesses,
 The meal is ended, she is bored and tired,
 Endeavours to engage her in caresses
 Which still are unreproved, if undesired.
 Flushed and decided, he assaults at once;
 Exploring hands encounter no defence;
 His vanity requires no response,
 And makes a welcome of indifference.
 (And I Tiresias have foresuffered all
 Enacted on this same divan or bed;
 I who have sat by Thebes below the wall
 And walked among the lowest of the dead.)
 Bestows one final patronising kiss,
 And gropes his way, finding the stairs unlit . . . 
She turns and looks a moment in the glass,
 Hardly aware of her departed lover;
 Her brain allows one half-formed thought to pass:
 "Well now that's done: and I'm glad it's over."
 When lovely woman stoops to folly and
 Paces about her room again, alone,
 She smoothes her hair with automatic hand,
 And puts a record on the gramophone. 
"This music crept by me upon the waters"
 And along the Strand, up Queen Victoria Street.
 O City city, I can sometimes hear
 Beside a public bar in Lower Thames Street,
 The pleasant whining of a mandoline
 And a clatter and a chatter from within
 Where fishmen lounge at noon: where the walls
 Of Magnus Martyr hold
 Inexplicable splendour of Ionian white and gold. 
     The river sweats
      Oil and tar
      The barges drift
      With the turning tide
      Red sails
      Wide
      To leeward, swing on the heavy spar.
      The barges wash
      Drifting logs
      Down Greenwich reach
      Past the Isle of Dogs.
           Weialala leia
           Wallala leialala 
     Elizabeth and Leicester
      Beating oars
      The stern was formed
      A gilded shell
      Red and gold
      The brisk swell
      Rippled both shores
      Southwest wind
      Carried down stream
      The peal of bells
      White towers
           Weialala leia
           Wallala leialala 
"Trams and dusty trees.
 Highbury bore me. Richmond and Kew
 Undid me. By Richmond I raised my knees
 Supine on the floor of a narrow canoe." 
"My feet are at Moorgate, and my heart
 Under my feet. After the event
 He wept. He promised 'a new start'.
 I made no comment. What should I resent?"
 "On Margate Sands.
 I can connect
 Nothing with nothing.
 The broken fingernails of dirty hands.
 My people humble people who expect
 Nothing."
      la la 
To Carthage then I came
 Burning burning burning burning
 O Lord Thou pluckest me out
 O Lord Thou pluckest 
burning
			
			
			
				Whoa.....I need to read this again.....and again.
But I like it. A lot!
			
			
			
				Not a sermon.
A psalm.
			
			
			
				Sermons are rog's territory
*stabs Tallgeese*
			
			
			
				Quote from: The Good Reverend RogerNot a sermon.
A psalm.
Not a psalm. A poem by T. S. Eliot. It's part 
III of The Waste Land (http://www.bartleby.com/201/1.html). You can listen to him 
read it here (http://town.hall.org/Archives/radio/IMS/HarperAudio/011894_harp_ITH.html).
			
 
			
			
				Quote from: EvilPoetQuote from: The Good Reverend RogerNot a sermon.
A psalm.
Not a psalm. A poem by T. S. Eliot. It's part 
III of The Waste Land (http://www.bartleby.com/201/1.html). You can listen to him 
read it here (http://town.hall.org/Archives/radio/IMS/HarperAudio/011894_harp_ITH.html).
certainly has musical qualities, which according to the defiinition of psalm i learned in sunday school, the example thereto standing would indeed indubidibly qualify as thereof, ergo; a psalm. i liek to write rap psalms.
			
 
			
			
				Quote from: horabcertainly has musical qualities, which according to the defiinition of psalm i learned in sunday school, the example thereto standing would indeed indubidibly qualify as thereof, ergo; a psalm.
Good point - didn't think of it that way. I agree.
Quotei liek to write rap psalms.
I read one of your poems in this thread (http://www.principiadiscordia.com/forums/viewtopic.php?t=660&highlight=poetry). 
Got anymore you would care to share? :D
			
 
			
			
				ok i'll jsut copy andpaste emall(at least all the ones i can find) right in that thread for easy viewing
			
			
			
				Quote from: HotsumaSermons are rog's territory
*stabs Tallgeese*
Not anymore.  I finished with #25, remember?
*stabs Guido, to make his point*
			
 
			
			
				Quote from: The Good Reverend Roger*stabs Guido, to make his point*
I understand the need to make your point but could people 
please try to miss my spleen? That's the third one I've gone through this week!
			
 
			
			
				Quote from: Guido FinucciQuote from: The Good Reverend Roger*stabs Guido, to make his point*
I understand the need to make your point but could people please try to miss my spleen? That's the third one I've gone through this week!
try incorporeality. it's all about the "can't touch this, du nuh nuh nuh, dun dun dun nuh, can't touch this"
			
 
			
			
				Quote from: horabtry incorporeality. 
I've been thinking about it but there are so many pleasures of the flesh that I am loathe to give up.
Fer instance - I have just cooked a sensational experimental dinner and have a bottle of wine to go with it. Doesn't incorporealityness exclude one from that kind of thing?
			
 
			
			
				Quote from: The Good Reverend RogerQuote from: HotsumaSermons are rog's territory
*stabs Tallgeese*
Not anymore.  I finished with #25, remember?
*stabs Guido, to make his point*
You think I ever read those? your more outta your mind than I thought
			
 
			
			
				Quote from: Guido FinucciQuote from: horabtry incorporeality. 
I've been thinking about it but there are so many pleasures of the flesh that I am loathe to give up.
Fer instance - I have just cooked a sensational experimental dinner and have a bottle of wine to go with it. Doesn't incorporealityness exclude one from that kind of thing?
that's whjere lvl3 posession comes in.  i liek to spend a few hours after hanging out in women's locker rooms looking for a household with the best looking dinner, i then possess their leader, adn make off with the goods, before havign a wild weekend in vegas. sof fo rall the amrried girls oput there, fi your man calims he has no recolection of teh vegas weekend which has now plunged you both in to utter bankrupcy, depsite the paper trail of engorged htoel bills and bar tabs, it was probaly me.