Stories for the soul eater

[Mesozoic Mister Nigel]

A very long time ago, in a forested area that is just to the southeast of what was once the continent's largest city, a young woman lived in the outskirts of a village. It was an unimportant village, and people there mostly avoided the war and politicking that went on in more populated areas, living their lives as they had for many generations, hunting, farming, loving, worshipping, weaving, and having the same petty intrigues and gossip and fallings-out that people have always had; raising their children, tending their elders, and growing close to friends, spending hours in the evenings talking with each other. This is when people still knew how to talk and how to listen, and how to not mind the silences that fell when everyone was beginning to get tired and reflect on what had been said.

The woman was brown and strong and healthy, with dark brown eyes and thick black hair and a strong high nose like the eyes and hair and noses of the other women in the village, and she lived on the outskirts because she was a priestess. She had large white teeth and smiled often. Her primary job was to perform the duties associated with the transfer of souls from death to underworld and from underworld to birth. Her altar was no more than a pale stone slab that lay on the ground, and her temple was a simple arch. Her position as priestess was hereditary, and her father, also a priest, taught her the rites of death and birth. The village was healthy, and she was happy. She became pregnant, and this was a blessing which made her even happier.

Her son was the most beautiful baby she had ever seen, with her same wavy thick black hair and curly eyelashes, and his eyes were like obsidian mirrors. She loved him fiercely, with every part of her being, and as he grew, and his eyes lightened to a deep brown, they spent many hours playing together in the forest near the altar, where she taught him to be as observant and fluent of the language of the plants and small wildlife as she had been taught by her own father and mother. She taught him about the frogs and the insects, the pronghorns and the wrens. Life was right and good for the young woman with her village and beloved villagers, her parents, and her beautiful son.

I don't know how she died; possibly of infection from a wound, possibly of complications from another pregnancy. It seemed important at the time, but it really isn't. Her grieving father performed the rites of death, showing her son for the first time how to prepare the dark-green leaves from a certain small tree into a drink that would help him to channel the god who carries souls from the dead to the underworld in his belly, to wait to be assigned by the wife of Death to a newborn body.

The young priest had few friends; he had needed none, because he was still at an age where his best friend was his mother. He was small and slight and had not yet developed an interest in girls. Despite the attention of his grandparents, he was now alone, and profoundly lonely.

Some months after his mother's death, among the other births, a baby girl was born in the village, and not long after she was born, he looked past her curly lashes into her obsidian mirror eyes.

After that, they were inseparable. They had an arrangement. How fortunate that their Goddess was the Goddess of assigning souls! Usually they would be husband and wife. Sometimes she would precede him into death and he would be her grandfather for a while, laughing at her toddler antics as she played around his feet. Sometimes he would be the teacher and she the student, sometimes they would be siblings, but they were always together. It wasn't always a kind life; there was pain and strife and suffering. But in the village, it was mostly a clean and straightforward life. They were together this way for over three hundred years.

Until the last time. I don't know what happened; perhaps he was bound or killed or taken away. Perhaps the magic that allowed them to find each other was broken. Perhaps he was protecting her from something, because often the most painful mistakes men make are the ones that are meant to be for the good of the ones they love. But whatever happened, the last time, he did not call the soul-eater god to carry her into the underworld in his belly. He was not waiting for her, and he did not come back. She waited for him, and waited until the waiting became despair and the despair became bitterness. Lost in confusion and sorrow, she didn't notice at first that around her the happy village that she loved faded and died away. The old rites were no longer practiced, and her altar and arch became forgotten and overgrown. The gold and blue paint that once represented the wings of the goddess of rebirth was long gone. When the time came that no more babies were born in the village, she couldn't wait any longer.

After a while, no one would know there had ever been a village there, not even the builders when they came to put up row after row of blank red houses for the new civilization that had no priestesses at all.

The once-young-woman lived now in a world where true partnership between sexes was mostly forgotten, if not forbidden, and she knew that this world was poisonous. It had eaten her old world. She made herself forget her village and her mate, her abandonment and anger. She even, mostly, forgot that she had been a priestess. Far away from the happy days of playing among the trees, she found other loves, had children, and at times she was even content. Sometimes, though, the pain of loss and loneliness would bubble up from a place deeper than memory, strong enough to pin her to the ground.

There is a story that Death's wife, her pride wounded over her husband's infidelity, killed him and took his mantle, hiding her feathered wings beneath it and assuming his duties alongside her own, and that this is why men, afraid, stopped working together with women and forgot that the goddess had once been their mother.

[Freeky]

Wow.

[Placid Dingo]

Good.

Very haunting.

[Luna]

Whoa...  awesome, Nigel.

[Mesozoic Mister Nigel]

Thank you.

[Anna Mae Bollocks]

It's all boundless time and infinite possibilities, and then it plunks you right back in the present. Good writing.

[Doktor Howl]

NIGEL'S WRITING AGAIN!

[Mesozoic Mister Nigel]

Thanks guys! 

[Murmur]

Damn, Nigel... I got so wrapped up in it that I got teary-eyed at the end.
I hate being a girl sometimes.

[Mesozoic Mister Nigel]

Aw! 

[Jenne]

Breathtaking.  Lovely imagery.  Great piece, Nigel.

[Luna]

Damn, Nigel... I got so wrapped up in it that I got teary-eyed at the end.
I hate being a girl sometimes.

Nothing wrong with being a girl, or with being teary-eyed.

When the day comes that I don't get emotional about shit, somebody kindly throw some dirt over me.  Even if I'm still breathing, I'm already dead.

[Mesozoic Mister Nigel]

Love you guys. Thank you!

[Pope Pixie Pickle]

great peice of writing Nigel!

[Mesozoic Mister Nigel]

Thanks Pix!